![]() Extending the scope into the album's unreleased songs, When Time Stood Still is the clearest example of this among them, particularly the stark, slow-hitting rhythm and the breathy, distant quality of the vocals describing the barren "halls" of space-time.The combination of low Geiger-esque notes and faint, haunting choir rendition of "Rain, Rain, Go Away" in the opening of Rain is Falling easily qualifies, although the remainder of the track is noticeably more downtrodden and ponderous than genuinely creepy.However, its darker tone is justified in that it implicitly describes the singer being brainwashed to believe his own lover in the past has abandoned him. From the End of the World is possibly the album's most major foray into nightmarish territory, owing to its distorted-sounding melody, high-pitched vocals and eerie synthesizer instrumentation.A number of the tracks on the group's 1981 concept album Time features scary moments, largely due to both the general melancholic motif of loss transcending each of its songs and the lo-fi vocoders and early '80's digital vocal effects employed on multiple occasions:. ![]() And to say the least, those sort of songs were not what ELO were known for before. Pretty much every song in the album "Balance of Power" has haunting and evocative lyrics set to happy, mostly synthesized, backing music.You also have the relatively dark looking album cover for "Afterglow", which you can see here.Turn back! Turn back! Turn back!" There's something about a recognizably-human voice producing noises that no human could ever make that's just creepy. "The music is reversible, but time is not. ![]()
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